Wednesday, December 16, 2009

Lady Gaga is the poor man's Bjork



Swan Dress, Golden Globes 2001. You can't see it here but her purse is an egg.



Homogenic 1997


Volta 2007



That statement in going to get me in trouble with some of my lady-friends, I know; but it's true. Sure, she wears some crazy shit. But it's not really that original, and in my opinion, she's much less talented. She acts weird and gets naked for attention, but the appeal fades pretty quickly because the music isn't nearly as groundbreaking as Gaga believes her "artful" outfits to be. Please, prove me wrong. Where's the substance behind the hype?

Real talent is demure and self-evident:


Bjork was catchy: Link to the It's Oh So Quiet video

And weird (no sound due to licensing issues):


Lady Gaga, on the other hand, just always seems like she is trying SO hard to be weird- in this video she talks about "being concerned with being an artist" but I find that hard to believe since she also admits that all of her antics are keenly calculated to promote herself.

And where's the high art in making dancey crowd-pleasers? Fun? yes. Avant-garde? no.

Nevermind that she is also using that barely interested sex-kitten voice. Lady Gaga, go roll around in the trash dumpster of a tanning salon.... Oh, wait:

Monday, May 18, 2009

final assignment: spectacle

My final assignment will be two portraits of Connie Culp, the woman to get the first ever full face transplant.

Connie was shot in the face by her husband, and she survived. Her husband received only seven years in prison.



I am painting one portrait of Connie after the shot and one after the face transplant. The portrait with the transplant will be painted on a canvas that says "NOT A MONSTER" and the before shot will be painted on a canvas that says "SEVEN YEAR ITCH"

Wednesday, May 6, 2009

statement of intention for digiscape

S.T.Cummings
5/6/09
This piece was my first real venture into using Adobe Photoshop and Illustrator. It was quite the adventure, but it was fitting for the subject matter, since I was looking into my personal landscape as a citizen of the digital consumerist age.
I’m very interested in the relationships between material culture and digital culture, and consumerist/capitalist culture. For the purposes of this inquiry, by material culture I mean all of the things which exist in three dimensions and can be experienced by the five senses (it includes both man-made and naturally occurring objects and experiences) and by modern digital culture I am referring to our increasing dependency on electronic technology. Of course, the lines between the three wax, wane, and overlap but there is undoubtedly an impact on our quality of life as most of spend more time on the internet, more time shopping, and less time outside. How do computers impact the paradigms of our culture?
As occurs most often in artistic inquiries, I’ve come up with more questions than answers, and the final product is more of an expression of my ambivalence.
I began trying to create a virtual landscape reflecting what a digital environment would look like. If Facebook was a place in the way that the library is a place, what would it look like? And what would it look like while I was there? My attempt involved merging photographs and drawings with layers of zeros and ones in illustrator and Photoshop. I am not very adept though, so the results were underwhelming. Beginning drafts can be found on my blog, http://humanfemaleperson.blogspot.com.
As I was working though, something interesting began to emerge. As I reflected some photos of trees together, psychedelic monster-like creatures began to emerge where the trees met each other. I kept the image in black and white, and used a filter which made the photo less photo-like and more obviously digitally manipulated. I then experimented with matching up the photos which created the scariest images, the one I chose in the end created several faces and invoked Native American imagery. It was if nature was fighting back.

Inigo Manglano-Ovalle- click on the image to see full picture

Robert Adams